Twelve institutions join Web 3.0 community – including the Musée d’Orsay and Vienna’s Belvedere Museum – to harness the power of blockchain

A new program designed to bring global arts and cultural institutions into the world of Web 3.0 – the decentralized third generation of the web that is home to blockchains, cryptocurrencies and NFTs – has selected 12 institutions, including the Musée d’Orsay in Paris , the House of Electronic Arts, Basel (HeK), and the Royal College of Art, London, to join a community that aims to engage with blockchain technology to preserve and promote cultural heritage, for social good, environmental justice and financial stability.

Web3 for the Arts and Culture (WAC) grant program – a collaboration between the Tezos Foundation (the non-profit arm of the Tezos blockchain), the social innovation group We Are Museums and TZ Connect (a Berlin-based group that supports projects) and companies that build on Tezos ) – was launched on 26 January. It offers an education in the basics of blockchain technology, including lectures, workshops and mentoring sessions with industry experts.

The program explores the use of blockchain in the cultural sector, as well as its legal and social implications and its intersection with the world of video games. In addition, it covers Web 3.0 communication and community building and provides a hands-on experience in DIY blockchain development.

According to a WAC statement, a team from the French Ministry of Culture will also lead a special research track focusing on the duration of artistic royalties through smart contracts and other means, and on how blockchains communicate with each other. Permanent royalties were once one of the most well-known reasons why artists should adopt NFTs. In practice, this is threatened as a race to the bottom has seen many NFT platforms remove the requirement that buyers pay royalties.

Sabine Himmelsbach, director of HeK, told The Art newspaper that her institution plans to integrate greater blockchain functionality with its core museum programming. “For us, the WAC Fellowship comes at the right moment, as our program this year is focused on blockchain technologies. This is a fantastic opportunity for our institution. This year, we plan to establish a DAO [a decentralised autonomous organisation] and through that build a blockchain-based circle of friends. We are excited to be a part of the community and look forward to what we will learn during the fellowship.”

Diane Drubay, founder of WAC Lab, said: “Our goal is to work with these institutions to explore how they can use blockchain technology in innovative ways to achieve their goals and build a sustainable future.” The WAC Fellowship has previously supported the Light Art Space Foundation exhibition, Life after BOB (2022), by Ian Cheng, with a fully integrated live-minting NFT experience.

The selected institutions also include the Australian Center for the Moving Image (ACMI), Melbourne; Belvedere Museum, Vienna; Haus der Kunst Munich; the French Ministry of Culture; the Berlin-based Institute for Sound and Music; Musée de l’Orangerie, Paris; Museum of Modern and Contemporary Art Sri Lanka, in Colombo; the National Taras Shevchenko Museum, in Kiev; The Reel Store, in Coventry; and the Wooko Makandie Foundation, in Utrecht.